KiSeki tour spring 2012
We are going to go to Bayern(Germany)
We have 4 concerts there and we play a new song.
on31.03 in Sömmerda
17:00 Ev.Gemeindezentrum
on01.04 in Coburg
10:30 Naturkundemuseum Coburg
on01.04 in Warmensteinbach
19:00 TBA
on02.04 in Windischeschenbach
20:00 Geo zentrum An der KTB
Our Web site
KiSeki http://musik-mit-steinen.de/
10.04.2012
The Electric Mandarine Tour 2012
Béla Bartók National Hall
Budapest(Hangary)
05.05.2012
The Electric Mandarine Tour 2012
GRAN TEATRO GEOX
Padua(Italy)
06.05.2012
The Electric Mandarine Tour 2012
Teatro degli Arcimboldi
Milano(Italy)
07.05.2012
The Electric Mandarine Tour 2012
Kongresshaus Zurich
Zurich(Switzerland)
10.05.2012
The Electric Mandarine Tour 2012
ADMIRALSPALAST
Berlin(Germany)
24.06.2012
O2 SHEPHERD’S BUSH EMPIRE
London(England)
Satoshi Hoshi
“HOPE”
Vernissage am Sa.dem3.März 2012 ab 19Uhr
Live: Kei Kawai(Kalligraphie) mit Hoshiko Yamane(Geigerin)
20Uhr!!!
03.03.- 10.03.2012
Galerie DEN
Behaimstr.8
10585 Berlin
www.gallery-den.de
U7,Richard Wargner Platz
Öffenungzeiten : Di.-Sa.15-19Uhr
we are going to have two performances.
The first one is “Bonsai”,
and after the break, we’ll play concert.
Eintritt: EUR12/8
P.A.N.D.A theater
Knaackstrasse97
Im Kleinen Hof der Kulturbrauerei
Regie/Musik: Jujiro Maegawa
Costueme: Gregor Marvel Wyrwich (Friendly sosiety)
Maskenbild: Valentina DeMonia
mit：
Hironori Sugata(Dance), Niina Maeda(Dance)、
Masaya Hijikata(Dr), Kohki(GTR),
Hoshiko Yamane(Violin), Jujiro Maegawa(Voice)
“BONSAI” Inhalt:
“Ich bin tot. Du aber lebst wie ein Toter, obwohl du noch lebst.”
– Blüh auf, du reine Blüte, zur Zeit des Festes.
Ein alter Mann, der den schrecklichen Erinnerungen aus seiner Vergangenheit entkommen will, lebt zurückgezogen in seiner Wohnung.
Eines Tages fängt er an, sich nur noch mit der Bonsaizucht zu beschäftigen.
Für ihn verbindet sich damit die Erinnerung an seine erste Liebe.
Diese Geschichte ist inspiriert von wahren Ereignissen, die zur Zeit des Abwurfs der Atombombe in Hiroshima passierten. Der alte Mann überwindet seine Schuldgefühle und erlebt in Gedanken noch einmal das letzte Fest,
das er damals mit einer Schülerin verbrachte, die dann Opfer
der Bombe wurde.
“Why do another tour, another concert?
Well, when it was going to be conventional, I too wondered why I was singing Serge again,
even if it was celebrating the 20 years after Serge’s death, even if it was a very personal 40 years since
“Melody Nelson” but what did I have to offer…
I’d done it all before, Serge in pop, arabesque, classic quator, 14 musicians, 6 musicians, a harp, a squeeze box,
violins… this year others have started, their “Serge” was a new point of view, their interpretations…
so I started contemplating, putting it all off… Then there was the Japanese disaster …
of unbelievable horror, earthquake, tsunami, and then the ghasly news of the nuclear horror,
the like of which we had never witnessed… the images…
the gigantic waves pounding down, the cars trying to escape, the people running, t
he dignified faces of poor parents looking for their children, the numbers of dead and missing mounting,
the terrifying views, over and over, the great wave, the fuming nuclear centers…
What to do? I have known these people for forty years… “go there” I thought…
tell them that back home folk are thinking of them, but get there, “and do what ?” What can I do? …
the only thing I can do… a concert… So this is the immediate result of that concert,
Sachiko had fixed up the best Japanese group of musicians in four days! “I’m coming to Tokyo”
we were Friday, by Monday I was there… When Gluzman asked if I wanted to do the concerts for Serge in America…
I said “yes, BUT with these Japanese musicians. I had found my reason… Here we come…
Serge Gainsbourg and Jane via Japan”